File:EID cover June 2014 Frederic Sackrider Remington (1861–1909) Untitled (possibly The Cigarette a.k.a. Around the Campfire).jpg
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Summary
[edit]Artist |
CDC |
Object type |
painting object_type QS:P31,Q3305213 |
Description |
English: Frederic Sackrider Remington (1861–1909) Untitled (possibly The Cigarette a.k.a. Around the Campfire) (ca. 1908–1909) Oil on canvas. (30 in × 27 in/76.2 cm × 68.58 cm) Frederic Remington Art Museum, Ogdensburg, New York
Frederic Remington was an American painter, sculptor, illustrator, and writer whose works frequently featured cowboys, Native Americans, soldiers, horses, bison, and other iconic features of the rapidly vanishing American West. During his 25-year career, Remington produced ≈3,000 paintings and drawings, 22 bronze sculptures, a novel, a Broadway play, and more than 100 articles and stories. Remington was 48 years old when he died of peritonitis, a complication of an emergency appendectomy. In approximately 1900, Remington began working on a series of paintings—now known collectively as the nocturnes—that depict color and light unique to night. Nancy Anderson, curator of American and British Paintings at the National Gallery of Art, Washington, DC, wrote that “In these experimental, complex, and deeply personal paintings, Remington explored the technical and aesthetic difficulties of painting darkness. Surprisingly, his images are filled with color and light—moonlight, firelight, candlelight.” Many of those paintings also depict danger from humans, animals, or nature, as implied and real threats, sometimes revealed to the viewer and sometimes suggested by the posture or action of Remington’s subjects. This month’s cover painting, commonly known as The Cigarette, was discovered in Remington’s studio after his death. In this painting, four cowboys relax around a small outside a cabin. A plume of smoke rises toward the clear blue-green night sky flecked with a few stars, past a large skin hanging on the side of the cabin. The cabin does not overwhelm the painting but details such as the shadow under the roofline, the seams between logs, the softened edges of the structure, and the tautly stretched skin reveal Remington’s deftness at rendering textures. His use of subdued colors punctuated by the reflected firelight underscores the quiet of the evening’s respite following a long day’s work. The cowboy in the foreground blocks the campfire so that its muted glow washes out into the middle of the painting. Despite a rifle standing within reach just to the left of the bunkhouse door, this painting does not suggest the foreboding sense of danger characteristic of many of Remington’s other nocturnes. As the evening’s ritual of cigarettes, coffee, and conversation plays out, the cowboy to the left squats and smokes, perhaps telling a story or swapping tales about days gone by. The lonely vistas and wilderness settings for many of Remington’s works offer, according to Thayer Tolles of the Metropolitan Museum of Art, “a nostalgic, even mythic, look at a rapidly disappearing western frontier, which underwent dramatic transformation in the face of transcontinental transportation, Native American confinement to reservation land, immigration, and industrialization.” The once remote places and outposts yielded to encroaching ranches, farms, and towns, as more people pushed westward each year. The vast migration and increasing population across the vanishing frontier would also bring the potential for transmission of the pathogens that cause such diseases as tuberculosis, measles, pneumonia, and typhoid. Crossing the plains and deserts by horseback, wagon, or train may have exposed settlers to airborne fungal spores that can cause coccidioidomycosis, commonly called “cocci” or “valley fever.” As cabins, then towns, then cities were built, crowded conditions afforded more opportunities for exposures to pathogens from animal hosts, such as rodents and bats. Many of Remington’s works portray the Old West as a vast mythical landscape of danger, silence, and beauty. “The Cigarette,“ however, captures a quiet moment around a campfire in the dwindling evening light, serving as an elegiac farewell to that time and place. Bibliography Public Broadcasting Service. American masters. Inside this episode: Frederick Remington, February 17, 2003 [cited 2014 Mar 30]. http://www.pbs.org/wnet/americanmasters/episodes/frederic-remington/about-frederic-remington/688/ National Gallery of Art exhibit Frederic Remington: the color of night [cited 2014 Mar 30]. http://www.nga.gov/content/ngaweb/features/slideshows/frederic-remington.html Fielding M, Doran GC. Dictionary of American painters, sculptors and engravers. Poughkeepsie (NY): Apollo Books; 1987. Samuels P, Samuels H. Frederic Remington: a biography. Garden City (NY): Doubleday & Co; 1982. The Metropolitan Museum of Art. Frederic Remington (1861–1909) [cited 2014 Apr 4]. https://www.metmuseum.org/toah/hd/remi/hd_remi.htm Valdivia L, Nix D, Wright M, Lindberg E, Fagan T, Lieberman D, Coccidioidomycosis as a common cause of community-acquired pneumonia. Emerg Infect Dis. 2006;12:958–62 . DOIPubMed Mills JN, Yates TL, Ksiazek TG, Peters CJ, Childs JE. Long-term studies of hantavirus reservoir populations in the southwestern United States: rationale, potential, and methods. Emerg Infect Dis. 1999;5:95–101 . DOIPubMed Dominguez SR, O’Shea TJ, Oko LM, Holmes KV. Detection of group 1 coronaviruses in bats in North America. Emerg Infect Dis. 2007;13:1295–300. DOIPubMed Suggested citation for this article: Breedlove B. Quiet moment around the campfire. Emerg Infect Dis [Internet]. 2014 Jun [date cited]. https://dx.doi.org/10.3201/eid2006.AC2006 DOI: 10.3201/eid2006.AC2006 |
Date | 19 June 2014, 21:57:12 |
Medium |
oil on canvas medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
Source/Photographer | http://wwwnc.cdc.gov/eid/article/20/6/ac-2006_article |
Licensing
[edit]For the artwork
Public domainPublic domainfalsefalse |
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer. This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929. | |
This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights. |
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse, for the EID Journal cover:
Public domainPublic domainfalsefalse |
This image is a work of the Centers for Disease Control and Prevention, part of the United States Department of Health and Human Services, taken or made as part of an employee's official duties. As a work of the U.S. federal government, the image is in the public domain.
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Unique ID of original document | uuid:13CB4FB65A86DD11BF83E78AB69F846D |
Software used | Adobe Illustrator CS5 |
IIM version | 2 |